Stand-up comedy does not have to be for expert comedians only. Everyone needs to try making jokes in front of a crowd every once in a while. Today, let us talk about the top 5 reasons performing stand-comedy is good for everyone. Here are five of the top reasons how stand-up comedy is useful not just for professionals, but for everyone:. Conclusion People must try the experience of performing stand-up at least once. Some people try performing stand-up and end up making it a hobby or even a career.
Side Splitters Comedy is a premier comedy club that offers stand-up performances with national and homegrown comedy stars. We also hold open mic comedy shows where anyone is given a chance to take part in a fun and worthwhile experience. Do you agree with the top 5 reasons performing stand-comedy is good for everyone? So a stand-up comedian also needs to have incredibly tough skin.
Comedic performances go all the way back to ancient times. But most notably, modern stand-up gets its roots from vaudeville. Vaudeville included live acts with a lot of slapstick comedy. But as comedy grew, jokes and their structures and setups started to change. The first vaudeville performer to be credited with stand-up was Charley Case. In the s, the African American comic performed monologues for audiences.
He did not often use the traditional props of vaudeville. Instead, he told funny stories about his life. Modern stand-up comedy remains similar to this structure. But the art of comedy writing has become a heralded technique all on its own. There are several steps you need to get to before the performance itself. So be prepared to walk before you run.
Taking a class might not sound like fun. In fact, stand-up seems like the complete opposite of formalized instruction. But that instruction is key to getting you comfortable onstage. The basics of comedy are always something you can return to.
So starting in a class or returning to one can be beneficial for your career. Taking a class will also get you into a room full of comics. Some people also underestimate the severity of stage fright. But if you need a trial run, begin by taking a class first. But if taking a class builds your confidence up, then an open mic will teach you how to own it.
An open mic is a great place to test out new material on a crowd. You can start by googling the venue. Maybe even invite a few friends to help cheer you along. But make sure you prepare as much as possible.
Despite being a lot of jokes and laughs, stand-up can get pretty personal. So finding your voice is the key ingredient to any set. But try not to mimic them. What you are drawn to in their performance is their authenticity. And that cannot be replicated by anyone.
So take a moment to think critically about who you are. Try asking yourself the following questions:. Stand-up comedy can almost be divided into two different parts. A full set is a prepared routine and includes a beginning, middle, and end. The length of a set can vary. You can start by watching the great entertainers. But also be sure to keep an eye on your peers.
Observe how they interact with audience members. Try breaking down how many bits they had in their set. Observe the audience to see what they responded to most. Recognize how much time the comedian spent talking.
Then reflect on how much of their set was filled with silence. Once you have a solid idea of what you want to talk about onstage, start writing. See what stories you can incorporate.
And keep the audience and room in mind. Below are the standard elements of any comedy routine. Start by familiarizing yourself with these elements. And use them as a structure to get you started. Every stand-up set requires an opening. This will often be the very thing that determines the success or failure of the show.
Make sure you start with something especially strong. Get the audience laughing right off the bat. You say bits, I say jokes. Either way you say it, bits are the bulk of the set.
Every joke has a setup and a punchline. The setup is where you can introduce and detail characters and situations. And the punchline is the ultimate conclusion. Punchlines are the funniest part of the bit. This keeps them on their toes and allows you to remain in control. Never underestimate a good transition. The next time you see a friend doing a set, take note of how they transition throughout.
The closer is the final joke of the set. You might choose to reference an earlier joke or bit. The only people who would actively enjoy it are people who love performing comedy but also actively enjoy the suffering of others. So, Andrew Lawrence. But standup is unlike any other artform. With music or theatre, there is something else to keep an audience entertained: a story, a melody, other actors.
With standup, it is just a microphone and a comedian. That power you can hold over an audience is intoxicating. I once span around in a circle on stage for 40 seconds for a joke. It was as underwhelming as it sounds. But I kept going, because I knew the audience had no choice but to indulge me. What were they going to do, leave? Nice try, but I was in front of the only exit. I had the power. Because they love the sound of their own voices? If everyone was made to have a go at standup comedy — not just white middle-class men from Notting Hill, but elderly black women from Birmingham, farmers from Somerset, Bangladeshi teenagers living in Mile End — they would feel like their words mattered, if only for a moment.
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