I think you'll find there's no small amount of electronics inside them. I do hope they last much longer than 10 years by the way. I have some pricey G lenses I almost never use. Can one justify a lens they'll only use 10 times in its life? I've rolled the dice hoping I get a much longer life. I've not heard of any mitigation efforts regarding the whiskers, nor anything about stresses being a factor.
It sounds like a yous pays yer money and takes yer chances situation. I certainly hope they last just as long as manual focus lenses. I'm sure some will. But I'm also fairly sure some number won't.
We'll know more in or so when post-lead AF-S lenses start celebrating their 20th birthdays. So far, it seems there are a few lenses that tend to suffer from AF-S motor failures, but for nearly all others this is rare. As lenses get more complex and different things end up failing, then you can get the working parts from two failed lenses and get one back to working order, so it's not all bad news.
Mechanical and electrical failure is more closely tide to usage than time. For some things temperature cycle, shock, as well as recovery time all play a factor. I'd like to believe the high end pro lenses they are design for serious usage, no different than does the mileage of your care matter or the number of years?
I've had my VRII lense since it was initially offered, what close to 5 years ago. That AFS motor was a squeaker for many years but never failed me. Last year pulled the trigger on the warranty before deadline and Nikon was nice enough to replace it the AFS motor free of charge. But it squeaked but never failed for at least a couple years and K shots I don't know if anyone mentioned it earlier but I have observed mm f4 afs Afs issues. I have heard it referred to in blogs as the "squeal of death" which I guess is the sound it makes before it goes.
I rented this lens last week and the AFS was going. It would focus fine for a while and then just freeze. After a while it would squeal and snap into focus for about more shots then dead, and kept repeating that way.
Just offering this observation specific to that lens as a data point and don't mean to imply anything about afs life in any other lens. One thing I do believe though is that screw drive lenses are more simple and could potentially last longer.
BTW I'm looking at a first generation pre mm 2. Look at the AF-S motors on the 90's era 's and 's. They are starting to FAIL. In fairness, these are the first gen AF-S motors and the more recent versions might last longer or shorter! We'll find out in the next decade I guess. Like I said, hobbyist use. I've had my D for 22 months and the image count is at about , of which currently reside in my library.
Shots per lens how long I've had the lens if shorter than 21 months :. In other words: I shoot about shots per month using a standard zoom and a little over a hundred with each of my , 35 and mm lenses. At that rate, wear and tear is never going to be a problem. Based on all of the reading I've done, it may not be a bad idea to go for a good second hand AF-D tele lens rather than the I can probably get something with a bit wider aperture for a similar amount of money and then not have to worry about electronics failing and making the lens unusable.
Is it in Nikon's interest for lenses to have built-in obsolescence, or should they last as long as possible? In general, companies selling hardware benefit from their products failing after a reasonable amount of time, because then consumers will buy new stuff.
Obviously that time shouldn't be too short, because repairs under warranty are a profit killer and products dying out of warranty but still relatively prematurely is bad for the brand name. With that in mind, it would make sense to make lenses so that they'll almost certainly last 5 years, but don't make them any better than that. Nikon's business is not about their customers buying replacement lenses for ones that have failed. They're pretty good at introducing new and improved lenses that people will buy even though their current ones still work.
And they want you to replace your cameras much more frequently than your lenses. But most importantly, they need you kept locked into their ecosystem. This means that when it's time for you to buy a new camera, it's important for Nikon that you have a whole bunch of lenses that will work with their new camera models so you're not tempted to jump ship.
Once you buy that new camera you'll soon enough find that you'll want to replace some of your older lenses anyway. But what they can't have is that you pick up the hobby again after a few years and it turns out your old lenses are dead so you may as well start with a completely new system.
Does that mean AF-S motors are going to last forever? Most of my primes are AF-D. I have been considering upgrading some of the 2. I'm reluctant however to invest in lenses that may not last more than ten years! I'm curious how the Canon lenses are holing up since they have been using the internal motor design much longer than Nikon. Is it worth the hefty price tag? We take a look at the Cine, the high-end model in this series.
The Nikon Z9 is the company's first camera to feature a stacked CMOS sensor, which brings a raft of new features, including blazing speed and autofocus performance to the Z lineup. Click through for our detailed first impressions of Nikon's latest professional ILC. The Sony a7 IV is the fourth generation of the company's core a7 full-frame mirrorless camera model, and it's the most advanced yet.
Click through for an in-depth look at Sony's latest full-frame mirrorless ILC. Nik Silver Efex Pro 3, one of the standout components of Nik Collection 4, is a black-and-white conversion tool that goes far further than the grayscale or black-and-white tools built into all-in-one photo apps.
For some users, this app alone might be worth the cost of the whole collection — find out for yourself in our review. The Nikon Z mm F2. Get all the details in our full review. These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality.
Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we've chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media. Reviewers have raved about this lens since the day it launched. DxOMark ranks it as the highest-scoring lens it has ever tested at this focal length. Roger Cicala of LensRentals.
A huge range of 70—mm lets you shoot sports, wildlife, and distant tourist attractions. This lens opens up a whole new world of photo opportunities compared with your 18—55mm kit zoom.
To avoid blurry images due to camera shake, fast shutter speeds are crucial when using a telephoto lens. But the Nikon counters the narrower aperture with built-in image stabilization Nikon calls it VR, for vibration reduction that allows for sharp photos at slower-than-ideal shutter speeds. The testers at LensTip. Simply put, you can shoot with less available light and still get a sharp image. However, the extra reach of our pick mm versus mm , coupled with its superior sharpness in corners, more substantial focus ring, and higher build quality will benefit users almost every time they go out to shoot.
This solid performer offers a 15mm-equivalent field of view and has a fixed aperture across its zoom range, in a well-built body that can take some dings. The wide-angle zoom we recommend is the Sigma 10—20mm F3. One of the traditional shortcomings of wide-angle lenses is barrel distortion, in which vertical lines are rendered as bowing outward. The Sigma is better at preventing barrel distortion than most wide-angle zoom lenses.
If you own a full-frame camera, we suggest the Sigma mm F4. Although you can definitely find sharper wide-angle lenses, this one is plenty sharp enough for most prints and for sharing online and any sharper lenses cost significantly more. A favorite among Nikon shooters for its excellent sharpness and beautiful background blur, this classic take on the portrait lens punches well above its affordable price. This mm-equivalent optic is amazingly sharp, and its fast aperture lets you shoot in low light at shutter speeds fast enough to hold the camera by hand while giving beautiful background blur.
The lens is sealed against dust and moisture, and though it is a full-frame-compatible lens, it weighs just grams 0. To achieve the former, you want a medium telephoto focal length. And a mm-equivalent lens—that means putting an 85mm lens on a DX-format camera—offers just that. Macrophotography is just plain fun. Using your camera as a high-resolution magnifying glass to reveal intricate details of even the smallest objects can really get your creative juices flowing.
Capturing these superclose-ups, however, requires the use of a macro lens, a specialty optic that focuses close enough to render subjects at a magnification ratio. What beginning photographers may appreciate most about this lens is that it has a built-in focus motor.
And with a minimum focus distance of AI stands for "Automatic Maximum Aperture Indexing" system, which is the mechanical system for coupling the lens to the camera's exposure system. The prosumer and consumer level bodies can accept an AI NIKKOR lens, but the exposure will need to be determined manually, using a light meter, not through the lens.
The AIS lens, which came later, allowed for automatic aperture control; which controlled the aperture more precisely. An AI-P lens is a manual lens that has a CPU basically a computer built into it; which is used to transfer metering data from the lens to the camera.
Nikon currently offers lenses that have autofocus operation and others that offer only manual focus operation. Because you sometimes want to be able to control the focus yourself you can actually manually focus any autofocus NIKKOR lens, simply by setting it to the manual focus mode. They can all be used in manual focusing mode. Many D-Type lenses have an aperture control ring and can be used on older Nikon SLR cameras that allow for manual control of the aperture, as well as on DSLRs—especially useful for adjusting aperture while recording D-Movies on higher end models.
When used on a DSLR, the aperture control ring needs to be locked at the smallest possible aperture generally designated in orange , and the aperture control is maintained through the camera's command dial. A G-type lens does not have an aperture control ring and are intended for use on Nikon DSLRs that allow the lens aperture to be adjusted via the camera's command dial.
Because G-type lenses relay subject-to-camera-distance information to the camera, where it is used to help determine ambient and flash exposure, they are also considered to be D-type lenses.
Note there is no aperture ring on that version of the lens, while there is an aperture ring on the AF version, above right. With the inclusion of HD video capture in many new Nikon DSLRs, manual prime or fixed focal length lenses are experiencing a resurgence in popularity. Manual focus lenses will not use the in-camera metering systems on several DSLRs so make sure to review your instruction manual to understand the compatibility of manual focus NIKKOR lenses and your particular camera.
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